The article takes stock of what is known about the letters Marino sent from Paris, with a view to the forthcoming edition of his correspondence (Edizioni di Storia e Letteratura, Rome). Less than a hundred letters have survived: very few, in light of Marino’s relations. Moreover, despite the discovery of several new documents, which are accurately described in the article, these letters make no mention of French authors, while they abound in references to the Italian literary polemics. As far as Marino’s works are concerned, it should be pointed out that the compositions closely linked to the Bourbon court, like Tempio and Francia Consolata, aren’t mentioned but at the beginning of the French period the other letters con rm the major role played by Adone, whose praising strategies gradually adapt to the court situation. Besides Adone, Marino’s art collection, to be exposed in a private gallery after his return in Italy, receives the most attention.

(2016). Notes pour l’édition commentée des lettres familières de Marino envoyées de France [journal article - articolo]. In LETTRES ROMANES. Retrieved from http://hdl.handle.net/10446/78266

Notes pour l’édition commentée des lettres familières de Marino envoyées de France

CARMINATI, Clizia
2016-01-01

Abstract

The article takes stock of what is known about the letters Marino sent from Paris, with a view to the forthcoming edition of his correspondence (Edizioni di Storia e Letteratura, Rome). Less than a hundred letters have survived: very few, in light of Marino’s relations. Moreover, despite the discovery of several new documents, which are accurately described in the article, these letters make no mention of French authors, while they abound in references to the Italian literary polemics. As far as Marino’s works are concerned, it should be pointed out that the compositions closely linked to the Bourbon court, like Tempio and Francia Consolata, aren’t mentioned but at the beginning of the French period the other letters con rm the major role played by Adone, whose praising strategies gradually adapt to the court situation. Besides Adone, Marino’s art collection, to be exposed in a private gallery after his return in Italy, receives the most attention.
articolo
2016
L’article tire un bilan des lettres envoyées par Marino pendant les années françaises, en vue d’une nouvelle édition annotée de la correspondance du poète (Edizioni di Storia e Letteratura, Rome). Les lettres de Paris qui nous sont parvenues sont moins d’une centaine : très peu, pour la plume et les relations de Marino. De plus, en dépit de la découverte de plusieurs nouveaux documents, que l’article illustre ponctuellement, ces lettres ne font aucune mention des auteurs français, tandis qu’elles abondent en références aux polémiques littéraires italiennes. Pour ce qui concerne la production de Marino lui-même, les œuvres étroitement liées à la cour française, telles le Tempio et la Francia consolata, ne sont citées qu’au début du séjour; les lettres confirment, au contraire, la centralité absolue de l’Adone, dont les stratégies encomiastiques s’adaptent graduellement à la situation courtisane du poète. A côté de l’Adone, c’est la collection d’art de Marino, destinée à une galerie privée à Rome ou à Naples, qui reçoit le plus d’attention.
Carminati, Clizia
(2016). Notes pour l’édition commentée des lettres familières de Marino envoyées de France [journal article - articolo]. In LETTRES ROMANES. Retrieved from http://hdl.handle.net/10446/78266
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