This dissertation examines how Seamus Heaney's early poetry (from "Death of a Naturalist" to "North") and articulates the complex relationship between human identity, territorial belonging and political responsibility during Northern Ireland's Troubles. Through an interdisciplinary framework combining aesthetic philosophy, humanistic geography, and gender studies, this dissertation argues that Heaney transforms personal landscapes into sites of collective memory and political resistance, while simultaneously revealing the limitations of masculine literary traditions in representing colonised space. The thesis traces Heaney's evolution from the pastoral observations of "Death of a Naturalist" to the mythic excavations of "North", showing how his bog poems reconfigure Ireland as both archaeological archive and feminine body—a dual metaphor that exposes tensions between artistic autonomy and political engagement. Drawing on Matthew Arnold and John Dewey's aesthetic theories, Yi-Fu Tuan and Anne Buttimer's concepts of place attachment, and feminist critiques by Patricia Coughlan and Stephanie Alexander, this study reveals how Heaney's Northern Ireland becomes a contested terrain where personal memory, national identity, and gendered violence intersect. Central to this analysis is the recognition that Heaney's insular perspective—shaped by his position between the Republic of Ireland and Northern Ireland—generates a poetics of territorial ambivalence. His feminisation of landscape through the bog bodies paradoxically empowers and constrains: while attempting to give voice to historical trauma, these poems ultimately reinscribe patriarchal patterns of observation and control. This dissertation contributes to Heaney scholarship by demonstrating how his early work anticipates contemporary concerns about place-alienation and belonging, offering vital insights for readers navigating an increasingly disconnected world.

(2026). Territorial Bodies, Embodied Territories: Reading Landscape, Gender and History in Seamus Heaney’s First Four Collections . Retrieved from https://hdl.handle.net/10446/325305 Retrieved from http://dx.doi.org/10.13122/pacini-lia_phd2026-04-14

Territorial Bodies, Embodied Territories: Reading Landscape, Gender and History in Seamus Heaney’s First Four Collections

PACINI, Lia
2026-04-14

Abstract

This dissertation examines how Seamus Heaney's early poetry (from "Death of a Naturalist" to "North") and articulates the complex relationship between human identity, territorial belonging and political responsibility during Northern Ireland's Troubles. Through an interdisciplinary framework combining aesthetic philosophy, humanistic geography, and gender studies, this dissertation argues that Heaney transforms personal landscapes into sites of collective memory and political resistance, while simultaneously revealing the limitations of masculine literary traditions in representing colonised space. The thesis traces Heaney's evolution from the pastoral observations of "Death of a Naturalist" to the mythic excavations of "North", showing how his bog poems reconfigure Ireland as both archaeological archive and feminine body—a dual metaphor that exposes tensions between artistic autonomy and political engagement. Drawing on Matthew Arnold and John Dewey's aesthetic theories, Yi-Fu Tuan and Anne Buttimer's concepts of place attachment, and feminist critiques by Patricia Coughlan and Stephanie Alexander, this study reveals how Heaney's Northern Ireland becomes a contested terrain where personal memory, national identity, and gendered violence intersect. Central to this analysis is the recognition that Heaney's insular perspective—shaped by his position between the Republic of Ireland and Northern Ireland—generates a poetics of territorial ambivalence. His feminisation of landscape through the bog bodies paradoxically empowers and constrains: while attempting to give voice to historical trauma, these poems ultimately reinscribe patriarchal patterns of observation and control. This dissertation contributes to Heaney scholarship by demonstrating how his early work anticipates contemporary concerns about place-alienation and belonging, offering vital insights for readers navigating an increasingly disconnected world.
14-apr-2026
38
2024/2025
STUDI UMANISTICI TRANSCULTURALI
DEL BELLO, Davide
GENNERO, Valeria
Pacini, Lia
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