Intertextual coincidences of forms, content or stylistic devices among literary products from different ages are essential to understand poetic works. The aim of this article is to compare "Al túmulo del Rey Felipe II en Sevilla" (1598) by Miguel de Cervantes and two poems by two members of the so-called Generación del 50: "El arquitrabe" (1959) by Jaime Gil de Biedma and "La vuelta al paraíso terrenal" (1971) by Francisco Brines. Although we know that Cervantes’ sonnet is not a direct source of their poems, we want to show how the three texts share a critical approach on the social situation and some rhetorical resources that end up with the ironic demystification of the absolute monarchy in the first case and of the Franco’s dictatorship in the others. The final objective will be to confirm that in Baroque we can find the background and the origin of the wink of the mid-twentieth century Spanish poetry.

(2017). La poesia satirica: da Cervantes alla Generazione del '50 (Jaime Gil de Biedma e Francisco Brines) . Retrieved from http://hdl.handle.net/10446/117477

La poesia satirica: da Cervantes alla Generazione del '50 (Jaime Gil de Biedma e Francisco Brines)

Bianchi, Marina
2017-01-01

Abstract

Intertextual coincidences of forms, content or stylistic devices among literary products from different ages are essential to understand poetic works. The aim of this article is to compare "Al túmulo del Rey Felipe II en Sevilla" (1598) by Miguel de Cervantes and two poems by two members of the so-called Generación del 50: "El arquitrabe" (1959) by Jaime Gil de Biedma and "La vuelta al paraíso terrenal" (1971) by Francisco Brines. Although we know that Cervantes’ sonnet is not a direct source of their poems, we want to show how the three texts share a critical approach on the social situation and some rhetorical resources that end up with the ironic demystification of the absolute monarchy in the first case and of the Franco’s dictatorship in the others. The final objective will be to confirm that in Baroque we can find the background and the origin of the wink of the mid-twentieth century Spanish poetry.
2017
Bianchi, Marina
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10446/117477
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