The text analyzes verbal and visual strategies in Max Ernst's collage novels, La Femme 100 Têtes and Une Semaine de Bonté, in relation to the imagery of nineteenth-century French Roman noir. The analysis aims to demonstrate how the visual mechanisms of fear are reworked in Ernst's works, starting from heterogeneous materials.
(2019). "Inventaire de l'effroi" dans les romans-collages de Max Ernst / L'"inventario del terrore" nei romanzi-collage di Max Ernst . Retrieved from http://hdl.handle.net/10446/158112
"Inventaire de l'effroi" dans les romans-collages de Max Ernst / L'"inventario del terrore" nei romanzi-collage di Max Ernst
Zucchinali, Andrea
2019-01-01
Abstract
The text analyzes verbal and visual strategies in Max Ernst's collage novels, La Femme 100 Têtes and Une Semaine de Bonté, in relation to the imagery of nineteenth-century French Roman noir. The analysis aims to demonstrate how the visual mechanisms of fear are reworked in Ernst's works, starting from heterogeneous materials.File allegato/i alla scheda:
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Zucchinali Inventaire de l'effroi.pdf
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