In the context of the tradition of the artist’s book, considered as the result of the radical recasting of the text-image relationship within the avant-gardes, La Femme 100 têtes – Max Ernst’s first collage novel – overcomes the associative schema between image and poetic text of the four-handed model typical of surrealist books. From the analysis of the relationship between iconographic and textual material, this essay aims to reconstruct the narrative strategies in action in Ernst’s work.
(2020). Visible/lisible. Stratégies verbo-visuelles dans La Femme 100 têtes de Max Ernst. [journal article - articolo]. In CAHIERS DE LITTÉRATURE FRANÇAISE. Retrieved from http://hdl.handle.net/10446/158122
Visible/lisible. Stratégies verbo-visuelles dans La Femme 100 têtes de Max Ernst.
Zucchinali, Andrea
2020-01-01
Abstract
In the context of the tradition of the artist’s book, considered as the result of the radical recasting of the text-image relationship within the avant-gardes, La Femme 100 têtes – Max Ernst’s first collage novel – overcomes the associative schema between image and poetic text of the four-handed model typical of surrealist books. From the analysis of the relationship between iconographic and textual material, this essay aims to reconstruct the narrative strategies in action in Ernst’s work.| File | Dimensione del file | Formato | |
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Visible:lisible. Stratégies verbo-visuelles dans La Femme 100 têtes de Max Ernst.pdf
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