Aisberg: dal 2009 è l'archivio ad accesso aperto dell'Università di Bergamo; dal 2011 è anche l'anagrafe della ricerca di Ateneo.
L'archivio è un'implementazione di IRIS, il sistema informativo per la ricerca sviluppato da Cineca.
EnglishThis study intends to contribute to the translation of environmental documentaries seen as creative forms of disseminating scientific knowledge through audiovisual modes (e.g., dubbing, subtitling, voice over). The main aim is to identify the degree of creativity in the translation of a very popular and successful documentary, i.e., Before the Flood, and to provide explanations for manipulations. Against the backdrop of Schjoldager’s (2008) creative strategies and intercultural research (Hofstede 2003; Hofstede et al. 2010), the translation process of the environmental documentary presents a number of translatorial interventions which are only partially explained by the constraints posed by the audiovisual modes adopted. The creative shifts identified take account of the cultural distance when translating and (re)create an audiovisual product which is more objective, persuasive and distrustful than its original counterpart.
(2021). (Re)creating actuality in the environmental documentaries: The case of Before the Flood [journal article - articolo]. In BRIDGE: TRENDS AND TRADITIONS IN TRANSLATION AND INTERPRETING STUDIES. Retrieved from http://hdl.handle.net/10446/172605
| Titolo: | (Re)creating actuality in the environmental documentaries: The case of Before the Flood | |
| Tipologia specifica: | articolo | |
| Tutti gli autori: | Spinzi, Cinzia | |
| Data di pubblicazione: | 2021 | |
| Abstract (eng): | This study intends to contribute to the translation of environmental documentaries seen as creative forms of disseminating scientific knowledge through audiovisual modes (e.g., dubbing, subtitling, voice over). The main aim is to identify the degree of creativity in the translation of a very popular and successful documentary, i.e., Before the Flood, and to provide explanations for manipulations. Against the backdrop of Schjoldager’s (2008) creative strategies and intercultural research (Hofstede 2003; Hofstede et al. 2010), the translation process of the environmental documentary presents a number of translatorial interventions which are only partially explained by the constraints posed by the audiovisual modes adopted. The creative shifts identified take account of the cultural distance when translating and (re)create an audiovisual product which is more objective, persuasive and distrustful than its original counterpart. | |
| Rivista: | ||
| Nelle collezioni: | 1.1.01 Articoli/Saggi in rivista - Journal Articles/Essays |
File allegato/i alla scheda:
| File | Descrizione | Tipologia | Licenza | |
|---|---|---|---|---|
| 2020_Bridge.pdf | publisher's version - versione editoriale | Licenza default Aisberg | Open AccessVisualizza/Apri |
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