Neuroscience, pedagogy and theatre: different epistemologies which, through dialogue, reflect each other from different perspectives, generating openings and multiplying meanings. They create links, networks, relationships of meaning and offer people creative and resilient strategies capable of generating beauty through the creation of shared spaces of action. In the pedagogical relationship between actor and spectator, theatre is an ephemeral but lasting experience, which leads to the transformation of the parties involved in a harmonic dance step in which attention, empathy, intention, affordances and ambiguity are involved. In the potential theatrical space, through the mechanisms of embodied simulation and liberated simulation, the subjects mirror each other, in a common resonance. The knowledge of the activation processes of the cortico-spinal pathway that induces movement allows to illuminate the dialogue and offers important contributions in the educational and didactic field.
Neuroscienze, pedagogia e teatro: differenti epistemologie che, dialogando, si rispecchiano e riflettono da diverse prospettive, generando aperture e moltiplicando significati. Esse creano legami, reti, relazioni di senso e offrono all’uomo strategie creative e resilienti in grado di generare bellezza attraverso la creazione di spazi condivisi d’azione. Nella relazione pedagogica fra attore e spettatore il teatro si costituisce esperienza effimera ma durevole, che porta alla trasformazione le parti coinvolte in un passo di danza armonico in cui sono coinvolte attenzione, empatia, intenzione, affordances e ambiguità. Nello spazio potenziale teatrale, attraverso i meccanismi della simulazione incarnata e della simulazione liberata, i soggetti si rispecchiano reciprocamente, in una comune risonanza. La conoscenza dei processi di attivazione della via cortico-spinale che induce il movimento consente di illuminare il dialogo e offre importanti contributi in ambito educativo e didattico.
(2021). Performing arts and neuroscience: body and mirrors in theatrical expressivity [journal article - articolo]. In GIORNALE ITALIANO DI EDUCAZIONE ALLA SALUTE, SPORT E DIDATTICA INCLUSIVA. Retrieved from http://hdl.handle.net/10446/191520
Performing arts and neuroscience: body and mirrors in theatrical expressivity
Zappettini, Cristina;Borgogni, Antonio
2021-01-01
Abstract
Neuroscience, pedagogy and theatre: different epistemologies which, through dialogue, reflect each other from different perspectives, generating openings and multiplying meanings. They create links, networks, relationships of meaning and offer people creative and resilient strategies capable of generating beauty through the creation of shared spaces of action. In the pedagogical relationship between actor and spectator, theatre is an ephemeral but lasting experience, which leads to the transformation of the parties involved in a harmonic dance step in which attention, empathy, intention, affordances and ambiguity are involved. In the potential theatrical space, through the mechanisms of embodied simulation and liberated simulation, the subjects mirror each other, in a common resonance. The knowledge of the activation processes of the cortico-spinal pathway that induces movement allows to illuminate the dialogue and offers important contributions in the educational and didactic field.File | Dimensione del file | Formato | |
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