The imagery of cannibalism and its persistence over the centuries are investigated from an interdisciplinary and transcultural perspective, which brings together Literature, visual Arts, Anthropology and Psychoanalysis. Especially from Montaigne’s enlightening Des cannibales, and on till the 20th century, the anthropophagic motif, while combining repulsion and attraction, oscillates between the ancestral horror of its own dissolution and the pleasure of inescapable communion and appropriation. As a founding experience of initiation and metamorphosis, it declines the dynamics of critical-artistic-literary creation.
(2021). Tutti gli artisti sono i cannibali dei loro predecessori [journal article - articolo]. In COSMO. Retrieved from http://hdl.handle.net/10446/202303
Tutti gli artisti sono i cannibali dei loro predecessori
Franchi, Franca
2021-12-23
Abstract
The imagery of cannibalism and its persistence over the centuries are investigated from an interdisciplinary and transcultural perspective, which brings together Literature, visual Arts, Anthropology and Psychoanalysis. Especially from Montaigne’s enlightening Des cannibales, and on till the 20th century, the anthropophagic motif, while combining repulsion and attraction, oscillates between the ancestral horror of its own dissolution and the pleasure of inescapable communion and appropriation. As a founding experience of initiation and metamorphosis, it declines the dynamics of critical-artistic-literary creation.File | Dimensione del file | Formato | |
---|---|---|---|
6353-Articolo-19767-2-10-20211227.pdf
accesso aperto
Versione:
publisher's version - versione editoriale
Licenza:
Creative commons
Dimensione del file
662.05 kB
Formato
Adobe PDF
|
662.05 kB | Adobe PDF | Visualizza/Apri |
Pubblicazioni consigliate
Aisberg ©2008 Servizi bibliotecari, Università degli studi di Bergamo | Terms of use/Condizioni di utilizzo