This article deals with the new configurations that the mythical figure of Electra enters in French literary works of the 1940s. Starting from a theoretical premise concerning the most recent theory of adaptations and the concept of cultural translation, this reflection focuses on the three distinct avatars of the heroine in the theatrical works of Jean Giraudoux (Électre, 1937), Jean-Paul Sartre (Les Mouches, 1943) and Marguerite Yourcenar (Électre ou La Chute des masques, 1944).
(2022). Les Avatars d'Électre dans la littérature fraçaise du XXe siècle: les réécritures de Giraudoux, Sartre et Yourcenar [journal article - articolo]. In FILOLOGICESKI FORUM. Retrieved from http://hdl.handle.net/10446/211672
Les Avatars d'Électre dans la littérature fraçaise du XXe siècle: les réécritures de Giraudoux, Sartre et Yourcenar
Mazzella, Francesca
2022-01-01
Abstract
This article deals with the new configurations that the mythical figure of Electra enters in French literary works of the 1940s. Starting from a theoretical premise concerning the most recent theory of adaptations and the concept of cultural translation, this reflection focuses on the three distinct avatars of the heroine in the theatrical works of Jean Giraudoux (Électre, 1937), Jean-Paul Sartre (Les Mouches, 1943) and Marguerite Yourcenar (Électre ou La Chute des masques, 1944).| File | Dimensione del file | Formato | |
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