“C’è il ventaglio – e i rossori?”. Il processo di riscrittura delle didascalie alla Fondazione Querini Stampalia

The article analyzes critically the process which led to the production of new texts (labels, posters, flyers etc) at the Fondazione Querini Stampalia, Venice. It does so by taking into account the strong focus on queerness, the attention to gender and sexual orientation, the will to descrive silenced profiles int he Venetian history as well as in the history of the institution itself.