The essay questions the myth of the so called "Roaring Twenties", which was actually an artefact of the post-war historiography in the Sixties, as T. W. Adorno pointed out, and reconsider avant-garde experimentation in form and space as an aesthetic response to the socio-political context of Weimar Republic.

(2023). Lo spazio dell'utopia. Berlino e l'avanguardia artistica negli anni Venti/The Space of Utopia. Berlin and the Artistic Avant-garde in the Twenties . Retrieved from https://hdl.handle.net/10446/244449

Lo spazio dell'utopia. Berlino e l'avanguardia artistica negli anni Venti/The Space of Utopia. Berlin and the Artistic Avant-garde in the Twenties

Valtolina, Amelia
2023-01-01

Abstract

The essay questions the myth of the so called "Roaring Twenties", which was actually an artefact of the post-war historiography in the Sixties, as T. W. Adorno pointed out, and reconsider avant-garde experimentation in form and space as an aesthetic response to the socio-political context of Weimar Republic.
2023
Valtolina, Amelia Giuseppina
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10446/244449
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