Aim of this paper is to present a brief comparison between the work of Matayoshi Naoki and that of Dazai Osamu. After a short introduztion on the «Matayoshi pheonomenon» in contemporary Japanese literature and culture, this contribution draws a comparison between the representation of the city in Dazai Osamu’s Tōkyō hakkei (Eight views of Tokyo, 1941) and Matayoshi Naoki’s Tōkyō hyakkei (One hundred views of Tōkyō, 2013), in order to investigate how Matayoshi’s production has been influenced by Dazai’s legacy.
(2016). Il palcoscenico della metropoli: Cento vedute contemporanee di Tokyo nella narrativa di Matayoshi Naoki [journal article - articolo]. In ESTETICA. STUDI E RICERCHE. Retrieved from https://hdl.handle.net/10446/260102
Il palcoscenico della metropoli: Cento vedute contemporanee di Tokyo nella narrativa di Matayoshi Naoki
Barbieri, Francesco Eugenio
2016-01-01
Abstract
Aim of this paper is to present a brief comparison between the work of Matayoshi Naoki and that of Dazai Osamu. After a short introduztion on the «Matayoshi pheonomenon» in contemporary Japanese literature and culture, this contribution draws a comparison between the representation of the city in Dazai Osamu’s Tōkyō hakkei (Eight views of Tokyo, 1941) and Matayoshi Naoki’s Tōkyō hyakkei (One hundred views of Tōkyō, 2013), in order to investigate how Matayoshi’s production has been influenced by Dazai’s legacy.| File | Dimensione del file | Formato | |
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