The bizarre story of the eldest son of the Piovasco di Rondò family is certainly one of the most formidable narrative inventions of the Italian twentieth century. That it is an affair laden with symbolic overtones is an immediately visible fact; the character is a "philosopher" who looks at the world from an unprecedented and exceptional perspective: "Cosimo looked at the world from the tree: everything, seen from up there,was different, and this was already an amusement." The bizarre story of the eldest son of the Piovasco di Rondò family is certainly one of the most formidable narrative inventions of the Italian twentieth century. That it is an affair laden with symbolic overtones is an immediately visible fact; the character is a "philosopher" who looks at the world from an unprecedented and exceptional perspective: "Cosimo looked at the world from the tree: everything, seen from up there,was different, and this was already an amusement."
La bizzarra storia del primogenito dei Piovasco di Rondò è certamente una delle più formidabili invenzioni narrative del Novecento italiano. Che si tratti di una vicenda carica di sovrasensi simbolici è un dato immediatamente visibile; il personaggio è un “filosofo” che guarda il mondo da una prospettiva inedita ed eccezionale: “Cosimo guardava il mondo dall’albero: ogni cosa, vista di lassù, era diversa, e questo era già un divertimento”
(2023). Romanzi e racconti. Il barone rampante . Retrieved from https://hdl.handle.net/10446/262071
Romanzi e racconti. Il barone rampante
Palmieri, Nunzia
2023-01-01
Abstract
The bizarre story of the eldest son of the Piovasco di Rondò family is certainly one of the most formidable narrative inventions of the Italian twentieth century. That it is an affair laden with symbolic overtones is an immediately visible fact; the character is a "philosopher" who looks at the world from an unprecedented and exceptional perspective: "Cosimo looked at the world from the tree: everything, seen from up there,was different, and this was already an amusement." The bizarre story of the eldest son of the Piovasco di Rondò family is certainly one of the most formidable narrative inventions of the Italian twentieth century. That it is an affair laden with symbolic overtones is an immediately visible fact; the character is a "philosopher" who looks at the world from an unprecedented and exceptional perspective: "Cosimo looked at the world from the tree: everything, seen from up there,was different, and this was already an amusement."File | Dimensione del file | Formato | |
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