Contemporary accounts of motherhood, as they emerge from the pens of authors ranging from Natalia Ginzburg to Simona Vinci, from Anna Maria Ortese to Elena Ferrante, deal with the conflict that every woman must face in order to respond to the omnipresence of stereotypes imposing the weight of old roles in a society that has now profoundly changed. Risk then becomes the key to inaugurating a new theoretical, literary and existential discourse on the feminine, pushing the gaze beyond the abyss, pointing to failure and catastrophe as a dimension of the possible.
I racconti contemporanei della maternità, così come affiorano dalle pagine di autrici come Natalia Ginzburg e Simona Vinci, Anna Maria Ortese e Elena Ferrante, attraversano il conflitto che ogni donna deve affrontare per rispondere all'onnipresenza di stereotipi che impongono il peso di vecchi ruoli in una società ormai profondamente cambiata. Il rischio diventa allora la chiave per inaugurare un nuovo discorso teorico, letterario ed esistenziale sul femminile, spingendo lo sguardo oltre l'abisso, indicando il fallimento e la catastrofe come dimensione del possibile.
(2024). Le risque d’être mère. Une comparaison entre deux générations de femmes écrivaines = The risk of being a mother. A comparison betweentwo generations of women writers [journal article - articolo]. In CAHIERS DE LITTÉRATURE FRANÇAISE. Retrieved from https://hdl.handle.net/10446/263329
Le risque d’être mère. Une comparaison entre deux générations de femmes écrivaines = The risk of being a mother. A comparison between two generations of women writers
Palmieri. Nunzia
2024-01-01
Abstract
Contemporary accounts of motherhood, as they emerge from the pens of authors ranging from Natalia Ginzburg to Simona Vinci, from Anna Maria Ortese to Elena Ferrante, deal with the conflict that every woman must face in order to respond to the omnipresence of stereotypes imposing the weight of old roles in a society that has now profoundly changed. Risk then becomes the key to inaugurating a new theoretical, literary and existential discourse on the feminine, pushing the gaze beyond the abyss, pointing to failure and catastrophe as a dimension of the possible.File | Dimensione del file | Formato | |
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