The article focuses on three poems from the first section of "Un número finito de veranos" by Aurora Luque, rewarded with the Premio Nacional de Poesía 2022, titled «Naútica» and inspired by the science –or art– of navigation. Understanding «hybrid intertextuality» from a semiotic perspective, as a set of reuses and resemiotizations that involve transgeneric, transartistic, transdisciplinary, or transcultural contamination, we will briefly discuss the selected compositions in terms of their metaphorical connection to navigation. In the last of the three poems, navigation is juxtaposed with a tribute to the Italian singer and songwriter Vinicio Capossela.

(2024). Un número finito de veranos de Aurora Luque: notas hermenéuticas sobre tres poemas, desde la intertextualidad híbrida . Retrieved from https://hdl.handle.net/10446/288168

Un número finito de veranos de Aurora Luque: notas hermenéuticas sobre tres poemas, desde la intertextualidad híbrida

Bianchi, Marina
2024-01-01

Abstract

The article focuses on three poems from the first section of "Un número finito de veranos" by Aurora Luque, rewarded with the Premio Nacional de Poesía 2022, titled «Naútica» and inspired by the science –or art– of navigation. Understanding «hybrid intertextuality» from a semiotic perspective, as a set of reuses and resemiotizations that involve transgeneric, transartistic, transdisciplinary, or transcultural contamination, we will briefly discuss the selected compositions in terms of their metaphorical connection to navigation. In the last of the three poems, navigation is juxtaposed with a tribute to the Italian singer and songwriter Vinicio Capossela.
2024
Bianchi, Marina
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