In the mid-thirties, Heidegger no longer questions the sense of being (Sein), but examines the truth of Being (Seyn). He defines it as an “appropriating-expropriating event” (Er-eignis), which he describes further in the late forties within the framework of a “supportive relationship” (Ver-Hältnis) between Being and “world-thing” (Welt-Ding). Since the world unfolds itself in the fourfold of mortals and divinities, earth and sky, united gathered by the naming word that resounds the silent voice of Being, Heidegger defines language as the mode of the event. He determines saying as a hint to the concealment of Being that was forgotten by metaphysics. Moreover, he further believes that signs and schemes, as well as words, are able to refer to Being. Through a sketch drawn in the "Black Notebooks", it is thus possible to present the main concepts of the late Heideggerian thought on Being, aimed at an “overcoming” (Verwindung) of metaphysics that could lead to a proportional and appropriate (verhältnismäßig) existence in today’s world.
A metà degli anni Trenta Heidegger non si interroga più sul senso dell’essere ma sulla verità dell’essere, che definisce come un “evento espropriante-appropriante”. Alla fine degli anni Quaranta egli ripensa quest’evento nell’ambito di un “rapporto sostenente” tra l’essere e la “cosa-mondo”. Dato che il mondo si dispiega nel quadrato di terra, cielo, divini e mortali, riuniti nella parola che nomina e lascia risuonare la voce senza suono dell’essere, Heidegger definisce il linguaggio come il modo dell’evento. Egli determina il dire come un cenno verso il nascondimento dell’essere, dimenticato dalla metafisica, e attribuisce ai segni e agli schemi la stessa capacità di rinvio della parola. A partire da uno schizzo nei “Quaderni neri” possono dunque essere esposti i concetti fondamentali della tarda meditazione heideggeriana concernente l’essere, al fine di preparare un superamento della metafisica e un “corrispondente e appropriato” modo di esistere nel mondo di oggi.
(2024). Ein lautloser Wink in und über unsere Welt. Zu einem Schema in Heideggers „Werkstattaufzeichnungen“ [journal article - articolo]. In HEIDEGGER STUDIES. Retrieved from https://hdl.handle.net/10446/290125
Ein lautloser Wink in und über unsere Welt. Zu einem Schema in Heideggers „Werkstattaufzeichnungen“
Marafioti, Rosa Maria
2024-01-01
Abstract
In the mid-thirties, Heidegger no longer questions the sense of being (Sein), but examines the truth of Being (Seyn). He defines it as an “appropriating-expropriating event” (Er-eignis), which he describes further in the late forties within the framework of a “supportive relationship” (Ver-Hältnis) between Being and “world-thing” (Welt-Ding). Since the world unfolds itself in the fourfold of mortals and divinities, earth and sky, united gathered by the naming word that resounds the silent voice of Being, Heidegger defines language as the mode of the event. He determines saying as a hint to the concealment of Being that was forgotten by metaphysics. Moreover, he further believes that signs and schemes, as well as words, are able to refer to Being. Through a sketch drawn in the "Black Notebooks", it is thus possible to present the main concepts of the late Heideggerian thought on Being, aimed at an “overcoming” (Verwindung) of metaphysics that could lead to a proportional and appropriate (verhältnismäßig) existence in today’s world.File | Dimensione del file | Formato | |
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