The essay analyzes the contribution of photography, and especially of photo-reportage, in building the Italian culture of Neorealism. It considers as well the American photographic imaginary of Depression Era and its possible influence on the aesthetic of neorealism, in terms of spaces, faces and their relationship, but investigates more the national cine-photographic culture, by valuing also the role of production stills, in their apparent role of resistance toward the 'new'.

(2014). Italian Neorealism between Cinema and Photography [book chapter - capitolo di libro]. Retrieved from http://hdl.handle.net/10446/32559

Italian Neorealism between Cinema and Photography

GRESPI, Barbara
2014-01-01

Abstract

The essay analyzes the contribution of photography, and especially of photo-reportage, in building the Italian culture of Neorealism. It considers as well the American photographic imaginary of Depression Era and its possible influence on the aesthetic of neorealism, in terms of spaces, faces and their relationship, but investigates more the national cine-photographic culture, by valuing also the role of production stills, in their apparent role of resistance toward the 'new'.
book chapter - capitolo di libro
2014
Grespi, Barbara
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10446/32559
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