The essay analyzes the contribution of photography, and especially of photo-reportage, in building the Italian culture of Neorealism. It considers as well the American photographic imaginary of Depression Era and its possible influence on the aesthetic of neorealism, in terms of spaces, faces and their relationship, but investigates more the national cine-photographic culture, by valuing also the role of production stills, in their apparent role of resistance toward the 'new'.
(2014). Italian Neorealism between Cinema and Photography [book chapter - capitolo di libro]. Retrieved from http://hdl.handle.net/10446/32559
Italian Neorealism between Cinema and Photography
GRESPI, Barbara
2014-01-01
Abstract
The essay analyzes the contribution of photography, and especially of photo-reportage, in building the Italian culture of Neorealism. It considers as well the American photographic imaginary of Depression Era and its possible influence on the aesthetic of neorealism, in terms of spaces, faces and their relationship, but investigates more the national cine-photographic culture, by valuing also the role of production stills, in their apparent role of resistance toward the 'new'.| File | Dimensione del file | Formato | |
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Italian Neorealism Between Cinema and Photography, Toronto University Press 2014_completo.pdf
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