Within the landscape of contemporary historical fiction, The Exchange of Princesses reconfigures the relationship between archive and fiction by turning the traces of the Enlightenment into the very substance of novelistic invention. Drawing on correspondence, memoirs and gazettes, Chantal Thomas shifts attention from diplomatic history to individual experiences. From archive to novel, and from novel to film, a process of continual reconfiguration unfolds, extended by Marc Dugain’s film adaptation.
(2026). L’archive en roman. Chantal Thomas et la fabrique du passé [journal article - articolo]. In CAHIERS DE LITTÉRATURE FRANÇAISE. Retrieved from https://hdl.handle.net/10446/334307
L’archive en roman. Chantal Thomas et la fabrique du passé
Pagani, Francesca
2026-01-01
Abstract
Within the landscape of contemporary historical fiction, The Exchange of Princesses reconfigures the relationship between archive and fiction by turning the traces of the Enlightenment into the very substance of novelistic invention. Drawing on correspondence, memoirs and gazettes, Chantal Thomas shifts attention from diplomatic history to individual experiences. From archive to novel, and from novel to film, a process of continual reconfiguration unfolds, extended by Marc Dugain’s film adaptation.| File | Dimensione del file | Formato | |
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