This study offers an Orphic reading of The Unknown Masterpiece, showing that, beyond the crisis of representation, Frenhofer’s quest is driven by a desire for presence. Through the pictorial flesh, the survival of Catherine Lescault’s foot, and Maurice Blanchot’s reflections on Eurydice, formlessness emerges as the paradoxical effect of a striving to bring forth the absolute image. Frenhofer thus appears as an Orpheus of painting, condemned to lose what he seeks to save.
(2026). Frenhofer ou l’impossible retour de l’image [journal article - articolo]. In CAHIERS DE LITTÉRATURE FRANÇAISE. Retrieved from https://hdl.handle.net/10446/334366
Frenhofer ou l’impossible retour de l’image
Franchi, Franca
2026-01-01
Abstract
This study offers an Orphic reading of The Unknown Masterpiece, showing that, beyond the crisis of representation, Frenhofer’s quest is driven by a desire for presence. Through the pictorial flesh, the survival of Catherine Lescault’s foot, and Maurice Blanchot’s reflections on Eurydice, formlessness emerges as the paradoxical effect of a striving to bring forth the absolute image. Frenhofer thus appears as an Orpheus of painting, condemned to lose what he seeks to save.| File | Dimensione del file | Formato | |
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