This essay offers a new critical approach to one of the most controversial works by Gottfried Benn; it rejects the commonplace that "Dorische Welt" reflects the poet's affiliation to Nazi aesthetics and shows how his rethorics, far from stating a strict relationship between political power and art, aims at defending the radical freedom and Independence of artistic creation.

(2016). Dorische Welt . Retrieved from http://hdl.handle.net/10446/86509

Dorische Welt

Valtolina, Amelia Giuseppina
2016-01-01

Abstract

This essay offers a new critical approach to one of the most controversial works by Gottfried Benn; it rejects the commonplace that "Dorische Welt" reflects the poet's affiliation to Nazi aesthetics and shows how his rethorics, far from stating a strict relationship between political power and art, aims at defending the radical freedom and Independence of artistic creation.
2016
Valtolina, Amelia Giuseppina
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10446/86509
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