The vivid and engaging nature of the audiovisual experience, particularly in character-driven narrative films, is specifically functional to the creation of a relationship between the spectator and the world of the film based on the perception of observed intentional actions. This essay explores the idea that the film spectator experiences a tangible relationship with the filmic objects, subjects, and environments by simulating the character’s actions and bodily postures. The hypothesis is evaluated in a theoretical neurophenomenological framework, with the aim of rethinking film spectatorship in the light of a perspective created by combining the results of neurocognitive and neurophysiological experiments with a phenomenological interpretation of the human experience.

(2012). The intangible ground: A neurophenomenology of the film experience [journal article - articolo]. In NECSUS. Retrieved from http://hdl.handle.net/10446/185690

The intangible ground: A neurophenomenology of the film experience

D'Aloia, Adriano
2012-01-01

Abstract

The vivid and engaging nature of the audiovisual experience, particularly in character-driven narrative films, is specifically functional to the creation of a relationship between the spectator and the world of the film based on the perception of observed intentional actions. This essay explores the idea that the film spectator experiences a tangible relationship with the filmic objects, subjects, and environments by simulating the character’s actions and bodily postures. The hypothesis is evaluated in a theoretical neurophenomenological framework, with the aim of rethinking film spectatorship in the light of a perspective created by combining the results of neurocognitive and neurophysiological experiments with a phenomenological interpretation of the human experience.
articolo
2012
D'Aloia, Adriano
(2012). The intangible ground: A neurophenomenology of the film experience [journal article - articolo]. In NECSUS. Retrieved from http://hdl.handle.net/10446/185690
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