This essay describes the ways in which the film spectator experiences physically and psychically the cinematic representation of falling human bodies, with particular regard to the culmination of this movement: the impact. The latter is usually not shown on screen because of its psycho-physiological ‘violence’. Cinema employs a series of stylistic strategies – ‘replacement’, ‘obscuration’, ‘diversion’, ‘interposition’ intended to represent the ‘unrepresentable’. To explain how these strategies operate, I will draw upon both recent neurocognitive experiments and classic experimental psychology demonstrations on visual occlusion and evaluate their implications for film aesthetics. In particular, I argue that the cinematic fall is experienced empathetically. The essay concludes with a brief analysis of a short film on 9/11 by A. G. Inarritu in order to illuminate the bond forged between the aforementioned strategies and the symbolic dimensions of the film viewing experience.
(2011). On Icarus' Wings. Cinematic experience of falling bodies [journal article - articolo]. In ILUMINACE. Retrieved from http://hdl.handle.net/10446/188712
On Icarus' Wings. Cinematic experience of falling bodies
D'Aloia, Adriano
2011-01-01
Abstract
This essay describes the ways in which the film spectator experiences physically and psychically the cinematic representation of falling human bodies, with particular regard to the culmination of this movement: the impact. The latter is usually not shown on screen because of its psycho-physiological ‘violence’. Cinema employs a series of stylistic strategies – ‘replacement’, ‘obscuration’, ‘diversion’, ‘interposition’ intended to represent the ‘unrepresentable’. To explain how these strategies operate, I will draw upon both recent neurocognitive experiments and classic experimental psychology demonstrations on visual occlusion and evaluate their implications for film aesthetics. In particular, I argue that the cinematic fall is experienced empathetically. The essay concludes with a brief analysis of a short film on 9/11 by A. G. Inarritu in order to illuminate the bond forged between the aforementioned strategies and the symbolic dimensions of the film viewing experience.File | Dimensione del file | Formato | |
---|---|---|---|
On Icarus' Wings.pdf
Solo gestori di archivio
Versione:
publisher's version - versione editoriale
Licenza:
Licenza default Aisberg
Dimensione del file
1.18 MB
Formato
Adobe PDF
|
1.18 MB | Adobe PDF | Visualizza/Apri |
Pubblicazioni consigliate
Aisberg ©2008 Servizi bibliotecari, Università degli studi di Bergamo | Terms of use/Condizioni di utilizzo