The purpose of this paper is to understand the reason(s) why Beatles’ song titles are used as titles for medical research publications. 546 article titles have been collected over a period of 57 years (1965–2022) and linguistically analysed. Titles were classified according to three different perspectives: (1) a textual perspective (level of informativeness); (2) a sentence viewpoint (information packaging and meaning); and at (3) the lexical level (degree of accessibility and referential transparency). Here we show that the Beatles' quotations have gradually augmented over the years, with a peak in 2002, and then a gradual rise up to 2021, with a preference for using compound (57.32%) and nominal (38.09%) titles. As to the way in which information is packaged, titles are primarily focus ones (62.08). Interestingly, well 75.64% titles are constructed with no specialized language, while only 5.86% titles are ‘language as mention’, that is titles with markedly non-specialized items which appear to be borrowed from the song itself and stylistically marked with the actual quotations. Our findings suggest that, by quoting a Beatles song title, the author of the publication clearly creates an attention-seeking device with startling effect. Such an approach does not appear to be dependent on a specific period of time, journal, or Beatles song. They can thus be defined as attractors.

(2023). All together now: Disentangling Beatles’ song titles in medical research articles . Retrieved from https://hdl.handle.net/10446/264549

All together now: Disentangling Beatles’ song titles in medical research articles

Maci, Stefania Maria;
2023-01-01

Abstract

The purpose of this paper is to understand the reason(s) why Beatles’ song titles are used as titles for medical research publications. 546 article titles have been collected over a period of 57 years (1965–2022) and linguistically analysed. Titles were classified according to three different perspectives: (1) a textual perspective (level of informativeness); (2) a sentence viewpoint (information packaging and meaning); and at (3) the lexical level (degree of accessibility and referential transparency). Here we show that the Beatles' quotations have gradually augmented over the years, with a peak in 2002, and then a gradual rise up to 2021, with a preference for using compound (57.32%) and nominal (38.09%) titles. As to the way in which information is packaged, titles are primarily focus ones (62.08). Interestingly, well 75.64% titles are constructed with no specialized language, while only 5.86% titles are ‘language as mention’, that is titles with markedly non-specialized items which appear to be borrowed from the song itself and stylistically marked with the actual quotations. Our findings suggest that, by quoting a Beatles song title, the author of the publication clearly creates an attention-seeking device with startling effect. Such an approach does not appear to be dependent on a specific period of time, journal, or Beatles song. They can thus be defined as attractors.
2023
Maci, Stefania Maria; Di Lorenzo, Cherubino; Vollono, Catello
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10446/264549
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