2.06 Dipartimento di Lingue, letterature e culture straniere

Il Dipartimento di Lingue, letterature e culture straniere [fino al 30/9/2015: Lingue, letterature straniere e comunicazione] è stato istituito nel 2012, in attuazione del nuovo Statuto d'Ateneo, adottato in ottemperanza della Legge 240/2010 e in vigore dal 21 marzo 2012, integrando le attività di ricerca dei preesistenti Dipartimenti di Lingue, letterature e culture comparate e Scienze dei linguaggi, della comunicazione e degli studi culturali.

oppure torna alle liste di scorrimento su tutto Aisberg

CERLIS Series

L&F - Linguistica e Filologia
- Biblioteca di Linguistica e Filologia
- L&F by issue - Fascicoli della rivista L&F

Pubblicazioni monografiche del Dipartimento di Lingue, letterature e culture straniere

Ultimi inserimenti

Il Palästinalied di Walther von der Vogelweide nella musica moderna: alcuni casi di studio

This paper aims to investigate some modern musical rewritings of Walther von der Vogelweide’s Palästinalied. The contribution starts with an investigation of both academic and popular reception of the Lied, with an emphasis on the development of textual criticism during the 19th and 20th centuries. In Italy, Maria Vittoria Molinari’s essays represent a crucial defense of the exploitation of the ‘reality of the text’s historical life’ through the safeguard of the value of the varia lectioins...

Robin Hood nelle fonti medievali: un caso di archeologia transmediale?

The notion of “transmedia storytelling” is usually linked to the recent development of digital technologies and computer network. Technological enhancement is assumed to have led to an enlarged area of communication forms as a result of media convergence, a process which transformed modern culture into an interactive multimedia space. In the present paper, on the basis of Middle English Robin Hood narratives, it is argued that well-crafted narratives with compelling characters are not new a...

Testo e immagine: tre cicli illustrativi del Tristan di Gottfried von Strassburg

Three iconographic cycles accompany Gottfried von Strassburg’s Tristan in three manuscripts dating from the 13th to the 15th centuries. Informed by a comparative approach and focusing on the episode of Tristan’s combat against Morholt, this study seeks to elucidate the relationship between text and image, and to explore the evidence about audience and reception as presented by techniques, choice of scenes, placement of the illustrations within the manuscript, and variations from the text.

Á l’amour comme á la guerre. Krákumál, Gamanvísur e la resa inglese di Thomas Percy in Five Pieces of Runic Poetry

Thomas Percy’s Five Pieces of Runic Poetry (1763) contained English prose versions of Old Norse poems; Percy’s selection and interpretation of two of them, Krákumál and Gamanvísur, as expressions of the fusion of heroism and sentimentality were conditioned by the ideology of eighteenth century literary and aesthetic theory. The essay is an overview of the conventional skaldic tropes regarding interactions of warriors with women which led Percy to hypothesize that the Scandinavians were the ...

I trabocchetti di una traduzione apparentemente facile: il caso di Saint Erkenwald

In the last two decades, translation studies have also focused on translating medieval literary texts, an issue Molinari had already been interested in and substantially contributed to since the 1980s. Taking up the salient points of the discussion initiated by Molinari, the present paper will address the problems of the translation of a medieval text whose literariness is also manifested through linguistic choices, which are apparently easy to respect in a Romance language such as Italian,...

Scopri

Accesso al fulltext

open464